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For the moment, putting aside the inherent differences between classes of amps, which is better : A monoblock design, or a much more involved design that offers modes such as Stereo, Mono, XLR and Neutrik outputs, and a gain setting selector? Your preference says much about you as an audiophile. How many settings on a component does it take to make you happy? To arrive at an answer consider the two schools of component building the first offers only one setting, one option for the sound, the other offers several settings and a variety of options for the sound. More settings than Star Wars installments When you conclude reading this assessment you will know whether I conclude Class AAAis a force or a farce.
The “THX Force” is with us audiophiles in the AHB2. Supposedly, Star Wars (trademarked) has made your stereo amp better.
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That’s 30 times less noise than typical amplifiers – the perfect amplifier for a high-resolution audio playback system.” The Instruction Manual states, “132 dB is approximately equivalent to the noise performance of a perfect 22-bit digital system… At high output levels, the AHB2 remains virtually distortion free while driving heavy loads.” I translate that as, “We dare you to put this amp on the King Sound King III electrostatic speaker and give it a good run.” Better yet, I’ll do that as well as put the amp with the shockingly revealing PureAudioProject Trio15 PAP Horn 1 Speaker.
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The outcome is a seemingly perfect audiophile amplifier: Light with a small footprint, has the ability to drive demanding loads to full output with extreme integrity, has vanishingly low distortion and runs cool.īenchmark Audio’s promotional brochure enthuses about the SNR ration in its discussion of the collaboration of Benchmark and THX, “… this is 30 dB greater than most amplifiers. Tracking Power Supplies that deliver power “on demand” usually introduce their own distortion, but THX’s AAA technology renders this negligible. In terms of operational efficiency, rather than reducing the bias current, which typically has the effect of increasing crossover distortion, THX technology claims to allow high biasing while practically eliminating crossover distortion, and doing so with lower power consumption. Some highlights of this technology include the use of both feedback and feed-forward error correction, accomplishing an almost non-existent distortion level of 0.0001% at 1kHz, greatly reduced power supply-induced distortion and noise, and a resultant signal-to-noise ratio (SNR) in excess of 132 dB A-weighted. The “AAA” stands for Achromatic Audio Amplifier, an analogue amp that greatly reduces energy consumption.
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The result was a certification program of standards called THX (trademarked) that was used for the first time in the production of “Return of the Jedi” in 1983.įast forward nearly 35 years later and we have Benchmark Media Systems, a HiFi component maker with one foot in the pro audio world and the other in the domestic sector of HiFi, collaborating with the THX program to make a new class of amplifier designated Class AAA.
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Enter Lucasfilm Ltd., known to seasoned film fans as the company founded by filmmaker George Lucas, who hired audio scientist Tomlinson Holman to revamp the audio chain in movie production from the set to the theater. HiFi enthusiasts know their classes of solid state amps, the most commonly used ones being Class A behemoths that tend to run hot, Class A/B solid state designs that tend to run cooler and often yielding more watts per dollar, and Class D, or Switching (chip) amps, which are even less expensive and debatably offering higher performance precision.
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